Posted By  richards on April 3, 2015    
				
				        From left: Eli Batalion and Jamie Elman of the Web        series YidLife Crisis.      
    Two 30-something Jews sit in a restaurant, eating and bantering    in sharp comedic bites. Their cadence is classically familiar,    evoking influences from the Talmud to Seinfeld and the    Borscht Belt; their arguments are essentially Jewish, centering    on Jewish tradition, identity, hypocrisy and contemporary    cultural meaning. Oh, and theyre speaking Yiddish.  
    Meet YidLife Crisis, a Yiddish comedy Web series created and    produced by Montreal writer-performers Eli Batalion, 34 (who    still lives there), and Jamie Elman, 38 (who now lives in    Silver Lake).  
    Yiddish was never meant to be spoken only by older people,    Elman said. Yiddish was always meant to be the secular Jewish    language  since were representing secular cultural Judaism,    were making Yiddish part of that.  
    It is YidLife Crisis  humor and inflection that resonates    with a generation raised on Seinfeld and Curb Your    Enthusiasm, even if they dont speak Yiddish; an older    demographic may not get the humor but delights in the Yiddish    resurgence. But as a series, YidLife Crisis is less about the    tactic and more about the tachlis  the real    discussions that millennials are having about Jewish culture    and tradition.  
    In its four webisodes, YidLife Crisis tackles topics such as    circumcision and what the essential nature of Jewish is, and    uses talmudic cadence to debate Montreal bagel supremacy  all    conversations that continue to resonate with them as    30-something cultural Jews walking in the secular world.  
    Some of those conversations came to light at El Yid at El    Cid, a YidLife Crisis-headlined performance at Silver Lakes    El Cid restaurant, produced with two L.A. nonprofits, East Side    Jews and Yiddishkayt. Other performers riffed on contemporary    Jewish life and identity  host and comedian Jessie Kahnweiler    welcomed everyone to what she called Circumcision: The    Musical and rapper Kosha Dillz presented his rhyming anthem    Everything Is Kosher. Later, Mendy Pellin  a Chasidic    comedian and creator of YouTube channel Jewbellish  proclaimed    that he only believes in same-sects marriage before taking    the stage to rap the song Talk Yiddish to Me. (At that point,    a woman seated toward the back of the room turned to other    audience members and said in disbelief, What is happening?!)  
    Over the last five to 10 years, Elman said, each Passover after    spending time with their families for the seder, he and his    Montreal friends meet up late night to hang out. Questions    about the future inevitably come up: Most of our parents are    still alive, but what about when its up to us? What are we    going to do? Will we marry Jews? What do our parents want, and    what do we want? What is the essence of a Jewish life? We cant    help but talk about these things after the seder. The    conversations get intense, but one of the things we love most    about Judaism is the encouragement to ask questions.  
    One episode in particular has raised questions from some    audience members. Episode 2 finds Chaimie and Leizer (the    YidLifealter-egos of Elman and Batalion, respectively)    in a deli, where an initial debate about a lean corned-beef    sandwichbecomes a discussion about womens bodies and    introduces the soon-to-be-indispensible Yiddish neologism    nakkideh zelfie (naked selfie). In a simultaneous    nod to and subversion of the famous deli scene from When Harry    Met Sally, lets just say that Leizer decidedly will not have    what Chaimies having.  
    This was about mirroring in a non-religious context the    hypocrisy that we point out in the other episodes, Elman said,    pointing to the first episodes storys dueling absurdities:    Leizer eats on Yom Kippur but wont mix meat and milk, while    Chaimie would never eat an improperly assembled poutine. The    content is racy and pushes the envelope, Batalion admitted.    Some may interpret it as offensive, but it is meant as an    homage to the zaftig body, which has often been    rejected by modern middle- and upper-class society.   
See the article here: 
Talking tachlis with YidLife crisis
				
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